In Process is a blog series that highlights the activities and experiences of current archival studies students in the Los Angeles area. Check in every two weeks, for grad students’ insights and fresh perspectives on new and emerging trends, issues, and events in the field.

By Noah Geraci

If we broaden our conception of a "mental health record," it can include traces like this graffiti on a former Camarillo State Hospital window.

Before returning to school, I spent several years working in disability and mental health services– my last job before starting my MLIS program was as a counselor for a community mental health agency in San Francisco. Combined with a personal interest in mental illness and disability rights, as well as academic interests in trauma, memory and marginalized histories, these experiences have led me to researching and writing about records of mental illness and mental healthcare in archives. How do we think about them? How are they currently arranged and described and accessed (or not accessed)? How might we do those things differently if we prioritized the autonomy and dignity of the people represented by them? For those who have passed, how might we, to borrow a phrase from Verne Harris, begin to take responsibility before their ghosts? What might we learn from community archives, human rights archives, and trauma and affect theory?

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In Process is a blog series that highlights the activities and experiences of current archival studies students in the Los Angeles area. Check in every two weeks, for grad students’ insights and fresh perspectives on new and emerging trends, issues, and events in the field.

By Alyssa Loera

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In Process is a new blog series that highlights the activities and experiences of current archival studies students in the Los Angeles area. Check in every two weeks, for grad students' insights and fresh perspectives on new and emerging trends, issues, and events in the field.

By Mary Priest

If you happened to be at UCLA on March 11th, you might have faintly heard a familiar television theme song drifting from the corner of the Young Research Library. Passing by the glass doors of the presentation room, you would have seen the main screen displaying the image of a spacecraft labeled with registry number NCC-1701. Had you entered through the doors, you would have been greeted by William Shanter's “space, the final frontier” monologue, complete with the “wooshing” sound of the Enterprise flybys. Amongst the anxious buzz of the multi-generational crowd, you might have even noticed a short, blonde MLIS student bouncing with joy and snapping iPhotos like an overly-excited tourist. Hi guys; that's me.

Working in the Center for Primary Research and Training in Library Special Collections, I'm surprised at how often I'm discovering untold stories through quickly scribbled marginal annotations and notes from the back of a photograph. The Curator's Conversation series at UCLA gives the curators a chance to share these finds with people who might not even know the collections exist, let alone what narratives construct them. One such collection that was apparently not getting the right amount of attention was the Gene Roddenberry Star Trek Collection. In case you need a little hint, Gene Roddenberry was the producer and screenwriter who is worshiped as the creator of the original Star Trek series.

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